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cabinets
wilderness
Using a combination of acoustic instruments,
field recordings, electronics, and voice, 'wilderness' is a collection
of densly layered and sculpted songs created for a complex planet.
Cabinetsmaker [some time 2008].
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v.v.
songs of dust and light sing silent ripples of heat
A collection of three sound compositions inspired by the droning ambiance, and percussive crackles of systems within the world humans create (heating ducts, flourescent lighting, alarms, construction) 2006
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blown
A four-part sound work composed primarily of field recordings, all variations on the meaning of 'blown' (oscillating fans, fireworks, damaged speakers...)
part 1
part 2
part 3
part 4 |
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the animals in these cages are injured in some way and would probably die if released
A four-part sound work composed primarily of field recordings, all variations on the meaning of 'blown' (oscillating fans, fireworks, damaged speakers...). Aesova 2002.
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things collapse in on themselves
Hisses and drones of urban and suburban environments spiral outwards and lose definition as they all layer upon themselves to a recursive "plunk" . Throat 2002.
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note
"note" evolves as a series of meticulously crafted sound events drawn from myriad sources, including a dynamic range of hisses, crackles, and tonal hums, field recordings, electronics, and acoustic instruments. C.I.P./Crank Satori 2002.
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8L
I recorded the empty rooms of an apartment I lived in throughout my college career (my first apartment), then used those recordings as source material for 6 compositions (one for each room). Throat 1999/Naninani 2003.
ktchn
lvngrm
bth1
bdrm1
bth2
bdrm2 |
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plastic memory value
A collaboration with Andrew Campbell (Svstriate). This was a project in which we destroyed a cassette tape, recorded that process, then each created audio compositions using the breaking/ripping/stretching sounds as source material. we then made a limited edition of copies of that tape to be distributed the compositions were made to be listened to once, then the cassette destroyed. Both of us are individuals who regard active listening as. memory transferrence through different mediums. throat 1998
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